Google Pixel Tablet Relaunch: News, Rumors, Price, and Release Date

Google isn’t exactly known for its love of tablets. Android 3.0 Honeycomb was the first version to support large-screen devices, but it was mostly seen as a quick stopgap measure to curb the growing number of tablets modifying an experience that was meant for phones only (looking at you, Samsung and HTC). The release, however, was considered to be so rushed and so bad that Android 4.0 Ice Cream Sandwich was released half a year later. Google didn’t seem keen to make its own Android tablets either, be it the old Nexus brand or the short-lived Pixel C, but that’s not to say its own fans haven’t been clamoring for an official Google tablet for years. That finally happened nearly a year ago with the Pixel Tablet, which painted this large device as something different from an iPad or a Samsung Galaxy Tab. Rather than launch a new Pixel Tablet 2 this year, however, Google is apparently making the rather unorthodox move of relaunching the existing model, and it seems like it will be a mixed bag based on what we’re hearing so far.

Designer: Google

Google Pixel Tablet: Design

The most important thing about this “relaunch” is that there is no word on any major internal or external changes to the Google Pixel, and that’s not entirely a bad thing. There are some whispers about a new and darker color option, but that seems unlikely at this point. The Pixel Tablet’s design is largely driven by Google’s vision of what the tablet really is for, which all boils down to a device that’s meant more to stay at home than accompany you wherever you go.

The Google Pixel Tablet’s aesthetics are simple, homey, and a bit traditional. Unlike the flat and sharp edges of the likes of the current Apple iPads, Google’s design has curved sides and a gentler demeanor. It’s not something you’ll flaunt outdoors but will be perfectly at home inside the house. That’s primarily because Google’s purpose for its tablet isn’t on-the-go productivity or entertainment but as pretty much a portable smart display for controlling your smart devices, making video calls, or playing music. The fact that you can only buy the Pixel Tablet with its charging speaker dock pretty much drives home that identity.

This will be the exact same Pixel Tablet that Google is said to be “relaunching” in just two weeks but with a slight twist. The accessories for the tablet are being changed, and this speaker charger will no longer be bundled with the Pixel Tablet by default. Although it’s only the accessory lineup that will change, it also subtly changes the message that the product will be sending. Strangely enough, the design will also remain the same, so it’s not a complete overhaul of its identity either.

Google Pixel Tablet: Specs and Software

We’re unlikely to see any internal changes either, which means we’ll be seeing the same 2022-era specs like a Tensor G2 processor and 8GB of RAM, for starters. Truth be told, the Pixel Tablet hardware was plenty fine for what it was made for and can even support a bit of gaming on the side. Whether that holds true in 2024 and beyond is a bit uncertain, however, especially with Google opening up the device to new use cases that may demand more from the hardware.

What is basically changing is that Google will no longer ship the Pixel Tablet with the Charging Speaker Dock, which has important ramifications as far as pricing goes. More importantly, however, it is rumored to introduce new accessories, namely an official Google stylus as well as a keyboard for the tablet, most likely a keyboard cover like those sold for the Galaxy Tab S9, for example. Unfortunately, there are no leaks on the design that these products will take, but given the design of the official Pixel Tablet Case, we’re expecting something that will match the tablet’s aesthetics as well.

Samsung Galaxy Tab S9+

Samsung Galaxy Tab S9 Ultra

Samsung Galaxy Tab S9 Ultra

Designer: Samsung

Of course, the Pixel Tablet has had support for a wide range of styluses implementing the USI 2.0 standard as well as the myriad Bluetooth keyboards in the market. But having Google’s official stamp pretty much sends the message that the Pixel Tablet is also good for creativity and productivity, whether it’s making art, scribbling notes, or typing documents. The keyboard case even makes a case (pun intended) for bringing it out of your home and setting up an ad hoc office in a cafe somewhere. The Pixel Tablet’s hardware could still be up to the task, but more resource-hungry apps could hit a wall easily with this configuration.

As for the software, the Pixel Tablet will still be running Android 14 by the time it launches, but we’re expecting to see more AI-related features drop through updates. Circle to Search, in particular, will be easier to do with a stylus, and Google’s NotebookLM AI-powered app will be more useful if you can quickly type with a keyboard. The Google Pixel Tablet will be growing up from being a homebody to a digital nomad, allowing you to enjoy and utilize Google’s services anywhere you go and on a larger screen.

Google Pixel Tablet: Price and Release Date

Google’s new pricing strategy will be a mixed bag. On the one hand, you will finally be able to buy a Pixel Tablet on its own without having the Charging Speaker Base forced on you. Presuming the standalone base still costs $129, then the solo Pixel Tablet could be made available for only $379, hopefully a bit lower. This makes the tablet more accessible, especially for people who have better-sounding speakers anyway.

On the other hand, all accessories will have to be purchased separately, and the price tags might be hard to swallow. According to the rumors, the Pixel stylus and keyboard could amount to around $100 each, setting you back $579 for the complete mobile office package. A total of $699 if you also want a home base at, well, home. Granted, the Apple Pencil is already $120, but that’s normal for an Apple product. One can only hope that these figures are ballpark estimates instead.

As for when all these will drop, signs point to a May 10 “relaunch” for the Pixel Tablet. That’s a pretty odd strategy given that Google I/O 2024 will be taking play on May 14. The only way this will make total sense is if there’s a new Pixel Tablet 2 or even Pixel Tablet Pro being announced there, but that will immediately make the Pixel Tablet relaunch dead on arrival unless the accessories are 100% compatible with the new Google tablet.

Google Pixel Tablet: Final Thoughts

Although it might not launch a new tablet, it’s actually encouraging to hear that Google is continuing to support its only tablet not just with software updates but new accessories as well. These are accessories it could have launched on day one, however, but that would have probably muddled the message it was trying to send. It tried to set the Pixel Tablet apart from the iPads and Galaxy Tabs of the market by focusing on its benefits at home. Now it’s sending a different message, one that says it’s finally safe to go out.

At the same time, however, it does make the Pixel Tablet feel old and stale, which is a bit worrying considering Google’s history with Android tablets. It won’t kill off its tablet line immediately, but not having an immediate successor makes one wonder if Google will simply milk the existing model dry and then call it quits. Then again, Google has also been notorious for killing off successful products after a few generations, so the Pixel Tablet’s fate will always be in the air anyway.

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Modular media player concept brings iconic Winamp design to the physical world

With almost everyone owning a smartphone these days, the need for dedicated media players has plummeted significantly. That’s not to say they’ve completely disappeared, especially those types that can be placed and displayed on desks or shelves. The retro design craze has breathed new life into old products like turntables, but these aren’t the only designs from bygone ages that deserve to be rediscovered. Some of these old-school designs come from the digital realm, where some software have achieved near immortality thanks to their distinctive user interfaces. Winamp is one of those iconic faces when it comes to music player applications, and this concept turns that into an actual device that, just like the digital original, can somewhat be configured to suit your needs and moods.

Designer: Eslam Mhd

By modern standards, the original design of the Winamp media player app is clearly outdated, but it remained a darling until recently because of its flexibility. It supported using different skins to personalize the software’s appearance, which naturally led to hundreds of designs, some of which might even make you want to gouge out your eyes. At the very least, Winamp followed a LEGO-like design where you can move parts of the app around or even remove them completely, depending on your needs.

This concept design for a device of the same name follows the latter aspect of Winamp’s design, particularly the ability to move its three main panels around or even leave one out. Like the original Winamp, the media player device has a component for the actual media controls with a single-line display for the current music, one for the equalizer, and another for displaying album art and the playlist. All three can be stacked together for a tall device that is propped up on a desk using the built-in kickstand of the equalizer. Or you can switch them around leaving only two components visible, as long as the equalizer is there to act as the base.

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You can, for example, only have the media controls and the equalizer if you don’t mind not seeing the list of tracks and the album art. Or if you already have a fixed equalizer setting, you can put either the media player or the album display above it and then snap the other component in front of the equalizer to hide it. You can even show only the media player itself, with the other two hiding behind it. These components connect using strong magnets, so no rewiring is needed to make instant changes to the combination. And at the end of the day or if you want to take the device with you, you can simply collapse all the components in a sandwich and carry it around.

What’s interesting about this particular design is that it uses physical controls like sliders and buttons instead of simply employing a touch screen to offer the same interface. It’s like reverse skeuomorphism, where the digital user interface mimics the appearance and behavior of physical controls. Of course, this more physical design means you don’t get to use skins anymore, but it’s a small price to pay for such an intriguing device.

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A Boeing 737 Was Transformed Into This Luxurious Villa Perched On A Cliffside In Bali

Dubbed the Private Jet Villa, this extraordinary home is built from the fuselage of a Boeing 737 aircraft and is subtly perched on the edge of a beautiful cliffside in Bali. The Private Jet Villa features an all-new stunning interior that replaced the functional cabin. The interior includes a bedroom with a jacuzzi in the cockpit. Designed by Geometrium Studio, the home is nestled on an exquisite spot 150 m above sea level, above the Nyang Nyang Beach Cliff in Bali, Indonesia. The airplane was originally in service in Indonesia, but after it was decommissioned, it was moved to the site using a truck and crane and then renovated on-site.

Designer: Geometrium Studio

Converting the old Boeing 737 into a majestic home was no easy feat. The home had to be placed on a cliffside, and there was also a lack of space and odd dimensions to deal with. To deal with these issues, the studio installed a new ducted ventilation and air-conditioning system, which conceals the electrical systems and a water supply in the cargo hold. The furniture was specially custom-designed to perfectly fit into the space’s curved walls. The studio mitigated the limited space through the use of natural wood, light tones, and concrete textures.

Rounded shapes and forms were integrated into the interior, which mimicked the tubular shape of the aircraft fuselage. These shapes were seen in the bathroom, and in other interior touches as well. Mirrors were also incorporated into the home to add an illusion of spaciousness and comfort, while natural light was maximized by utilizing original windows.

A floating staircase offers access to the interior. This staircase connected to the living room, dining room, and a big shared kitchen in the center. This section connects to the plane’s two wings, which include terraces, and offer stunning views of the landscape. One of the wings juts over the cliffside. The central section leads to two bedrooms. The first bedroom is located in the cockpit, and it includes a jacuzzi bathtub and a double bed, as well as its en-suite bathroom. The second bedroom is located in the tail section and it has an en-suite bathroom as well.

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Bowl-shaped chair concept offers geometric beauty at the expense of ergonomics

Just like a table, the most basic requirements for a chair are quite simple. It needs to be strong and stable enough to actually sit on, but comfort and convenience seem to be more open to interpretation than any other design element. Some brutalist designs look a little painful to sit on, meeting only the bare minimum of a chair, while others let your body literally sink inside its plushy cushions and make it difficult to pull yourself out quickly. And then there are designs like this concept that espouse simplicity and minimalism to convey a sense of beauty, but the end result, while visually successful, also raises concerns about its actual usefulness and comfort.

Designer: Mauricio Coelho

A chair isn’t a simple form that can be expressed in a single shape. After all, there are a few interconnecting planes needed to give it legs and an actual seat. A backrest is common but not obligatory, and armrests are even more optional. The Oco chair concept comes close to that simplicity of form while still providing a visually interesting piece, and it accomplishes that by employing a shape you wouldn’t always associate with a chair.

Bowl-shaped chairs are uncommon probably for a reason. A hollow half-sphere might not be the most comfortable thing to sit in unless you fill that space with cushions like what the Oco chair does. With extremely thin planes for legs, the bowl almost looks like it’s floating in mid-air. Made using carbon steel and fiberglass, the chair brings structural stability while also providing some subtle material details, like the wood-like grains of the spherical body.

But while it is indeed a sight to behold, closer inspection might make you rethink the comfort it promises. The thick cushions do look plus, but they might not provide enough support for the person’s back. Or at the very least the back cushion doesn’t have enough height to support someone leaning back, forcing them to sit upright without proper support, straining their body over time.

The bowl’s edges are also left exposed, which could scratch, cut, or press on a person’s skin, especially on the back of the legs and forearms. A few slight modifications, like lining the edges with soft fabric or changing the angle of the bowl could help improve the ergonomics of the design without ruining the simple geometric beauty that this concept wishes to convey.

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Almost Studio designs Loft for a Chocolatier in Brooklyn

Brooklyn practice Almost Studio has completed an apartment renovation inside a former chocolate factory, retaining an open layout while adding level changes to demarcate functional spaces.

The Loft for a Chocolatier occupies part of a 1947 industrial building along Myrtle Avenue, in the Bedford-Stuyvesant neighborhood of Brooklyn.

Kitchen in a loft apartment with tambour lower cabinets that curve around an island
The loft’s kitchen revolves around an island that’s anchored by a structural column surrounded by corrugated metal

The apartment boasts many features typical of loft-style living, including high ceilings, large windows, and exposed pipes and ductwork.

In one sense, Almost Studio founders Anthony Gagliardi and Dorian Booth aimed to retain this character through an open floor plan, adding powder-coated white mesh boxes and metallic accents.

Exposed ductwork and white powder-coated mesh boxes on the kitchen ceiling
Exposed ductwork and white powder-coated mesh boxes highlight the industrial character of the space

In another, the pair chose to denote or separate some of the functional areas using changes in angle or elevation.

They looked to artists like Kazimir Malevich and Josef Albers for ways to honour the original spatial composition while organising the various spaces.

A work-from-home area where pale wood panels are contrasted by lime-green storage niches
The kitchen counter integrates a work-from-home area, where pale wood panels are contrasted by lime-green storage niches

“It became a way for us to distinguish different areas – such as entry, kitchen, living room, dining room, and office – through these subtle rotational moves in a space that was otherwise entirely open,” said Gagliardi and Booth.

“In many lofts, every space is equally capable of hosting any activity, and is therefore equally inadequate to host any activity,” the duo continued. “If a dining room can also be an office, gym, and workshop – is it the best place to have dinner?”

Lounge area located in the middle of an open-plan space
A lounge area is located in the middle of the open-plan space

The apartment’s dining room is therefore located on a raised platform at the end of the space, where the ceiling is also lowered using the mesh boxes.

This set-up aims to create “a closer relationship with the high loft windows, and light, as well as a smaller, more intimate space for conversations”, Gagliardi and Booth said.

Dining area raised on a platform and surrounded by large windows
The dining area is raised on a platform to differentiate it from the rest of the apartment

The raised area is accessed via a short staircase that’s covered in green carpet and flanked by sculptural pale pink screens.

These elements – covered in Shirasu Kabe plaster – are indicative of the studio’s approach to softening the industrial architecture, along with cork flooring and wainscoting, and upholstered seating.

Pale yellow shutters partially open high in the wall
Shutters can be opened to connect the mezzanine bedroom and the main living area

Pale millwork fronts the pill-shaped kitchen island and curved cabinets behind, while other niches are left open and lined in chartreuse.

The kitchen counter integrates an area for a desk, used as a home office, where the shelving also continues overhead.

Meanwhile, corrugated metal surrounds a structural column that anchors the island, and the dining chairs have tubular steel frames.

At the opposite end from the dining room, another elevated portion of the space houses a bedroom, which is closed off from the rest of the apartment.

Light-filled bedroom featuring cork wainscoting and plenty of built-in storage
The light-filled bedroom features cork wainscoting and plenty of built-in storage

This space is more intimate, and features cream walls, built-in storage, and an arched niche beside the bed that’s lined with more green carpet for the owner’s cats to nap in.

A fritted glass door slides across for privacy, and a series of shutters that offer views between the bedroom and the main living area can be closed when desired.

An arched niche lined with green carpet, with a cat napping inside
An arched niche lined with green carpet provides a spot for cat naps

Brooklyn has many former industrial buildings that have been converted for residential use over the past decade.

Others include a 19th-century hat factory in Williamsburg that is now home to an apartment that doubles as a performance space and a warehouse in Dumbo where one loft features a book-filled mezzanine.

The photography is by Jonathan Hokklo.

The post Almost Studio designs Loft for a Chocolatier in Brooklyn appeared first on Dezeen.

How to Use Patterned Tiles in the Kitchen: 15 Ways to Uplift Your Cooking Space

The kitchen has transcended its traditional role as merely a space for food preparation. Today, considerable attention is paid to its aesthetics, from the choice of cabinetry to the color scheme. A prevailing trend involves integrating patterned tiles into both the floors and walls, transforming them into interesting design elements. Notably, the backsplash serves a dual purpose, not only safeguarding the walls from food splatters but also serving as a canvas for creative expression. Additionally, ensuring the floors are slip-resistant is crucial for preventing accidents and maintaining safety in the bustling kitchen environment.

Designer: Florian Beser

1. Introduce Jewel Tones

Image courtesy of: photocreo

The varied jewel tones of green in the backsplash form an intriguing pattern, beautifully contrasting with the dark charcoal grey cabinets, elevating the kitchen’s appearance. They introduce richness and a touch of biophilia, as the green pattern tiles mimic the appearance of leaves within this compact kitchen unit.

2. Say Yes to Chequered Tiles

Instead of opting for patterned tiles, consider using black and white tiles to craft an intriguing pattern on the backsplash of this all-white kitchen. This choice breaks the monotony of the white kitchen, and the black countertop complements the backsplash tiles. Also, hanging pendant lights from an all-white ceiling can enhance the aesthetic appeal.

Incorporating chequered tiles for the flooring disrupts the off-white and pastel-green kitchen and creates a bold pattern on the floor, offering a striking contrast.

Image courtesy of: pro_creator

In this compact kitchen, the chequered tiles extend seamlessly from the floor to the ceiling, establishing a sense of continuity in the kitchen’s design.

3. Add Geometric Patterns

Image courtesy of: FollowTheFlowStudio

Geometric patterns arranged spontaneously generate a dynamic composition, infusing a vibrant energy ideal for modern and minimalist kitchens.

4. Consider Hexagonal Patterns

Image courtesy of: Vladdeep

The hexagonal pattern, nature’s favorite geometric motif, is showcased through a combination and random arrangement of black and white tiles, forming a stunning composition. This interplay contrasts with the white overhead cabinets, black base cabinets, and wooden countertops.

Image courtesy of: Lobachad

If you prefer to avoid a stark contrast, the hexagonal patterns can harmonize with the off-white overhead and base cabinets. The wall tiles feature a blend of plain and patterned tiles to achieve a subtle appearance, while the hexagonal grid forms the underlying pattern.

5. Beautify with Wall Art

Who says that patterned tiles are solely reserved for backsplashes and floors? Sensory tiles or intricately textured and patterned ones can serve as captivating wall art, elevating the kitchen’s aesthetic. However, if opting for textured tiles, it’s advisable to avoid placing them near the cooktop. The textured surfaces may trap cooking residue, making maintenance challenging over time, which is one drawback to consider.

Designer: Duffy London

The Abyss Wall Tile is a versatile and sustainable wall decoration inspired by the ocean’s depths. Crafted with hexagonal tiles featuring intricate layered designs reminiscent of contour maps, this innovative product offers endless possibilities for wall arrangements. With three distinct patterns available, each hexagon seamlessly integrates to create a unified composition, allowing for easy customization and modification. Made from plexiglass, recycled plastic, and brushed stainless steel, the Abyss Wall Tile is visually captivating and environmentally friendly. One can bring the beauty of the abyss into your kitchen space with this handcrafted, flexible wall decor solution.

Designer: bioMATTERS

The MYCO-ALGA is a revolutionary 3D-printed tile system. Crafted from natural waste and living organisms, these tiles offer a unique, organic aesthetic. These tiles use sustainable processes, including 3D printing and organism cultivation to be transformed into lightweight yet sturdy tiles. Enhanced with bio-pigments from harvested algae, each tile boasts a visually striking, non-repeating pattern, resembling crawling organisms. Not only visually captivating but also 100% sustainable and biodegradable. Redefine the look of your kitchen space with MYCO-ALGA tiles—a conversation piece that’s both eco-friendly and stylish.

6. Experiment with Moroccan Tiles

Image courtesy of: BGStock72

The vibrant hues and intricate patterns of Moroccan tiles enhance the appeal of any kitchen backsplash, infusing it with a distinctive blend of geometric motifs and rich colors. These vibrant tones not only elevate the aesthetic but also imbue the kitchen design with a sense of luxury and warmth.

7. Traditional Herringbone Pattern

Image courtesy of: pro_creator

The stunning herringbone pattern elevates the appearance of any kitchen backsplash and can be created using simple tiles arranged strategically. The resulting joint lines form an intriguing pattern that injects dynamism into the walls. Herringbone consists of equally sized rectangular pieces arranged in a staggered zig-zag layout.

8. Go for Azulejos Tiles

Image courtesy of: pro_creator

Azulejo represents a style of tin-glazed ceramic tile work originating from Portugal and Spain. When used as a kitchen wall backsplash, it infuses an artistic flair, elevating the ambiance to new heights. The varied shades of blue impart a refreshing and calming effect to the wall, complementing white kitchen settings seamlessly.

9. Introduce Pastel Hues

Image courtesy of: lyulkamazur

Patterned tiles in various designs are artfully arranged to create a lively pattern, yet the beauty lies in how the soft pastel hues gracefully enhance the kitchen without overwhelming the space.

10. Chevron Patterns

Image courtesy of: irinapavlova1

In the kitchen backsplash, the chevron pattern, alternating between light and subtly contrasting shades, enhances the overall beauty. The alternating patterns introduce an intriguing element, while the darker tones add depth. Chevron, characterized by its inverted V shape, seamlessly creates a zig-zag pattern, making it a favored choice for backsplashes.

11. Glass Mosaic Tiles

Image courtesy of: pro_creator

The reflective surface of the glass mosaic enhances the kitchen’s appearance by creating reflections of its surroundings. The multicolored glass mosaic pattern creates a pixilated effect and injects dynamism into the kitchen space, adding a luxurious touch. Additionally, the ease of cleaning glass surfaces is a notable advantage, and it lends a pixelated aesthetic to the kitchen.

12. Go for a Patterned Border

Image courtesy of: pro_creator

When using patterned tiles, the overall design can appear overwhelming and busy. However, if you still desire a simple and minimalist look with patterns, consider this approach: defining the lower section of the tiles with the pattern while keeping the upper portion plain. In this example, light grey cabinets complement the design seamlessly, creating a balanced and sophisticated appearance that feels neat and refined.

13. Use Natural Stone

Image courtesy of: jamurka

Natural stone materials are highly durable, making them perfect for kitchen backsplashes. They possess unique grain patterns, ensuring each stone slab is one of a kind. This organic quality adds character to the kitchen space. For example, the backsplash, with its beautiful green and white hues, beautifully contrasts with the natural marble countertop. This timeless combination ensures an enduring style that never goes out of fashion.

14. Design the Carpet Flooring

Image courtesy of: pro_creator

While carpets inject a burst of color and pattern into any space, they’re not the most practical choice for the kitchen due to the likelihood of spills and food stains. However, if you still desire patterned flooring, patterned tiles offer a solution. These tiles can be arranged to form a permanent “carpet” on the floor. Despite the aesthetic appeal of patterned flooring, its permanence is a drawback. In this kitchen and dining area, a combination of plain and patterned tiles is used for the flooring. The position of the dining table remains fixed, breaking the monotony of the terracotta-hued tiles.

15. Add Vibrancy with Bold Color Tiles

Image courtesy of: ADDICTIVE_STOCK

Instead of opting for patterned tiles, utilize a mix of bold square tiles arranged randomly to form a dynamic composition. This approach yields a striking effect, blending warm and cool colors harmoniously.

The post How to Use Patterned Tiles in the Kitchen: 15 Ways to Uplift Your Cooking Space first appeared on Yanko Design.

Tuckey Design Studio restores original character of Old Chapel in Devon

Interior of Old Chapel by Tuckey Design Studio

London practice Tuckey Design Studio has revamped a house in a converted chapel in Devon, England, revealing and restoring the building’s original features.

To celebrate its ecclesiastic history, the Old Chapel house has been reworked to reverse “characterless” alterations made during its conversion in the 1970s and later in the 1990s.

This involved stripping back walls, reorganising the ground-floor bedrooms and creating a “grand main hall” on the first floor with an open-plan living, dining and kitchen area, Tuckey Design Studio said.

Exterior of house in Devon
Tuckey Design Studio has revamped a house in a converted chapel in Devon

“When we first stepped foot on site we were greeted by a characterless and muted interior that deceived the rich history and beautiful rural context,” Tuckey Design Studio told Dezeen.

“White plasterboard covered the walls and ceiling, and carpeted floors smothered the first-floor nave, with crude interventions from the ’90s haphazardly altering the building use into a compromised family home,” it explained.

“We enhanced the open-plan character of the nave by cutting to reveal, accentuating the drama by exposing existing joists, repointing stone arches and uncovering existing floorboards.”

Exterior of Old Chapel by Tuckey Design Studio
The project focused on revealing and restoring the building’s original features

To improve the home’s circulation and connection between living spaces on both floors, a mezzanine level has been removed and the old north entrance to the chapel has been restored as the main entry hall.

Accessed through the garden, this entrance area leads visitors through the sleeping quarters and up to the main living area that is framed by a repointed stone arch and exposed timber joists.

Living room of Old Chapel by Tuckey Design Studio
The first floor features an open-plan living space

At the centre of the main living space, a woodburning stove denotes the distinction between the lounging and dining zones.

A timber box reminiscent of a wooden pulpit has been tucked into the eaves of the kitchen to create space for an additional ensuite bedroom.

Home in a converted chapel in Devon
A woodburning stove sits at its centre

Replacing an existing extension that Tuckey Design Studio said had no “historic or architectural value” is a small courtyard on the ground floor, which offers access from two of the double bedrooms and improves cross ventilation.

A single-storey extension has been added to the southwest corner of Old Chapel to enlarge the ground-floor space for a generous family bathroom and small study.

Kitchen of Old Chapel by Tuckey Design Studio
The material palette is defined by timber, stone and plaster

The extension is topped by a roof accessible from the first floor’s living space, providing views across the surrounding landscape.

Old Chapel’s interior material and colour palette is defined by timber joists and flooring, exposed stone walls and plaster intended to create a calm atmosphere.

Many of these materials are reclaimed, including wooden floorboards and terracotta tiles, sourced from local construction sites and reclamation yards.

According to Tuckey Design Studio, the interior design is also designed to be sympathetic to the chapel’s architecture, complementing and drawing on its historic building details.

Paved courtyard at Devon house
A courtyard replaces an old extension

“The home is self-referential in its historic function and appearance,” said the studio.

“We implemented subtle details that nod to the building’s heritage, such as carved niches recessed into the walls and cradling light fixtures alongside crafted arches, bows, and pitches, reminiscent of this period of sacral architecture.”

Old Chapel by Tuckey Design Studio
Bedrooms occupy the ground floor

Old Chapel is the latest retrofit undertaken by Tuckey Design Studio, the practice previously known as Jonathan Tuckey Design, which was founded in 2000.

Its other recent projects include the conversion of a former factory in Norway into a hotel and wellness centre and the restoration and extension of a traditional stone farmstead in Italy.

The photography is by James Brittain.

The post Tuckey Design Studio restores original character of Old Chapel in Devon appeared first on Dezeen.

Ten launches from Milan that explore the future of furniture design

Alder by Patricia Urquiola for Mater, biodegradable stools in pastel colours

Biodegradable stools and a dining table that discretely turns into a desk are among Dezeen editor-at-large Amy Frearson‘s picks of the most progressive furniture launches at this year’s Milan design week.

Furniture brands were launching new products and collections all over Milan, with some exhibiting at the Salone del Mobile furniture fair and others in showrooms and venues dotted around the city.

A few stood out for how they addressed sustainability challenges, with newly developed materials and innovative assembly methods resulting in products with a reduced carbon footprint.

Some addressed challenges relating to diversity within the design industry, while others explored how advances in technology are changing our relationships with objects.

Read on to discover 10 key examples:


Nastro by Daniel Rybakken for Alias, a height-adjustable table for home and work 

A discretely height-adjustable table
Nastro by Daniel Rybakken for Alias

With remote working still the norm for many, Norwegian designer Daniel Rybakken has devised a dining table that can be easily adjusted to instead function as a seated or standing desk.

Launched at the Salone del Mobile by Italian brand Alias, the Nastro table features a concealed belt-and-pulley mechanism that allows the surface to be raised or lowered by hand without any need for electricity.

A video posted on Instagram by Rybakken reveals how easy it is to adjust.

“At the lowest height, the table’s unique features are not revealed at all, making it ideal for the home – from dining at the lowest height, to cooking food and drinks at medium height, to working with a laptop at the highest height,” said the designer.


Alder by Patricia Urquiola for Mater, biodegradable stools in pastel colours

Biodegradable furniture in an array of colours
Alder by Patricia Urquiola for Mater

Danish brand Mater has become known for its patented material, Matek, which combines waste plastic with biomaterials such as sawdust and coffee bean shells.

The brand has now developed a biodegradable blend of this heat-pressed material, thanks to the use of a bioplastic made from sugarcane. Spanish designer Patricia Urquiola has turned this into a collection of tables and stools that come in colours including terracotta and sandy yellow.

“Biodegradable plastic, in this case sugar cane, is a rapidly renewable source that can be harvested 1-2 times a year,” said Ketil Årdal, CEO of Mater.

“It naturally absorbs carbon dioxide while growing and can be decomposed by living organisms in the same way as wood or any other natural material.”


Rude Collection by Faye Toogood for CC-Tapis, Rugs that embrace female identity

Rugs that embrace female identity
Rude Collection by Faye Toogood for CC-Tapis

Of the many products that British designer Faye Toogood unveiled in Milan, the most provocative was a range of rugs she unveiled with Italian brand CC-Tapis in her Rude Arts Club exhibition.

Featuring abstract images of male and female body parts, alongside blood-red blobs, these multi-textural carpets celebrate sex and the human form from a female perspective.

Toogood told Dezeen that she wanted to celebrate female energy and womanhood in a way that is seldom seen in the design industry.

“It’s a kind of expression of the human body – male, female, everyone – but also the sexual energy that is a big part of being human,” she said.


Superwire by Formafantasma for Flos, lamps containing an innovative LED strip

Lamps containing an innovative LED strip
Superwire by Formafantasma for Flos

Italian lighting brand Flos has developed a new type of LED light source, a thin and flexible strip that emits warm and homogeneous light across lengths of up to one metre.

By encasing this strip inside hexagonal glass tubes, Italian design duo Formafantasma has produced a collection of lamps featuring flawless light stripes of different widths.

Andea Trimarchi and Simone Farresin of Formafantasma said the project “represents a change of pace in LED lighting”.

“The filament obtained is, to all intents and purposes, a new light source with great potential which we will certainly use in the future,” said the pair.


Euclid Stool by Limbo Accra, referencing West African symbolism

A stool referencing West African culture
Euclid Stool by Limbo Accra

At a time when diversity is still sorely lacking in the design industry, Ghanain studio Limbo Accra brought a West African perspective to Milan as part of the Prada Frames symposium.

The polished and lacquered plywood Euclid Stool combines references to unfinished architecture with Euclidean geometry, exploring notions of what it means to be “in limbo”. Limbo Accra is self-producing the stool in a limited edition.

“We are always searching, pushing forward towards the unknown and the unseen,” said studio founders Dominique Petit-Frère and Emil Grip.

“The stool represents explorations that allow us to think about the realm of limbo in new ways and inspire us to continue searching.”


Morphologica by Misha Kahn for Meritalia, an armchair and sofa that reinterpret radical design 

Seating that explores a new approach to radical design
Morphologica by Misha Kahn for Meritalia

American artist Misha Kahn has pushed furniture manufacturing to the limit with this design for Meritalia, an Italian brand best known for producing the irreverent designs of figures such as Gaetano Pesce and Mario Bellini.

Exploring what it means to be radical today, Kahn developed a sofa and armchair combining an assortment of irregular bulbous shapes, all based on forms found inside the human body.

Kahn describes it as a “shocking coach”, while Meritalia calls it “sexy more than playful”.


Nendo furniture for Paola Lenti made from textile scraps

Furniture produced with a fabric-first approach
Hana-arashi by Nendo for Paola Lenti

Leftover fabrics and offcuts from Paola Lenti’s outdoor furniture products provided the starting point for this range of furniture designed by Japanese studio Nendo.

The project represents a departure for Nendo founder Oki Sato, who is more used to working with an object brief than experimenting with a recycled material.

The resulting collection is more colourful than Nendo’s typically pared-back, monochromatic aesthetic. The recyclable polypropylene textiles are steam-bent to create objects with playful curves, colours and overlap details.

“We sandwiched the material in wax paper and then ironed it,” Sato told Dezeen. “By controlling the pressure and heat, we noticed that it became a semi-solid fabric. That was the ‘aha’-moment.”


Parka by Draga & Aurel for Poltrona Frau, a sofa that nods to 1990s streetwear

A sofa that nods to 1990s streetwear
Parka by Draga & Aurel for Poltrona Frau

While many designs in Milan this year paid tribute to the glamour and excess of the 1970s, Italian studio Draga & Aurel showed how furniture could lean into the casual-cool aesthetic of the 1990s.

Produced by Italian manufacturer Poltrona Frau, the sofa reinterprets the squishy padding and hooded shape of the ubiquitous jacket in soft cushion-like leather upholstery.

“The unusual elliptical shape of the backrest, which inclines to become an armrest and then a seamless seat, creates a concave or convex space that is both audacious and welcoming,” said the brand.


Set Lamp by Jamie Wolfond for Muuto, an intuitive table lamp made from aluminium

An intuitive table lamp made from aluminium
Set Lamp by Jamie Wolfond for Muuto

There were many examples of aluminium products on show in Milan this year, as the material becomes increasingly popular as a more recycle-friendly alternative to plastic. One of the most well-resolved was a table lamp by emerging Toronto-based designer Jamie Wolfond, for Danish homeware brand Muuto.

Designed as a giant screw, the lamp effectively communicates how to adjust the height of its shade. You simply spin this circular element to move it up or down.

“I think you need recognisable elements to communicate with people in the same way that if you’re verbalising something to someone, you have to use language they can understand,” said Wolfond.


ZA:ZA by Zaven for Zanotta, furniture stuffed with recycled plastic

Furniture stuffed with recycled plastic
ZA:ZA by Zaven for Zanotta

Italian brand Zanotta is one of many furniture producers exploring ways of manufacturing sofas without upholstery foam or glue, to make them more eco-friendly.

This solution, developed with Venetian studio Zaven, is instead formed of cushions that are stuffed with recycled polyester balls and strapped in place over a metal frame.

Following the launch of the initial ZA:ZA sofa in 2023, Zanotta has expanded the range with modular elements that allow for multiple configurations. A ZA:ZA bed was also introduced.

Milan Design Week took place from 16 to 21 April. See Dezeen Events Guide for more architecture and design events around the world.

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Wabisabi rugs by Nanimarquina

Wabisabi rugs by Nanimarquina

Dezeen Showroom: home accessories brand Nanimarquina drew on the Japanese philosophy of Wabi-sabi to inform the appearance of this collection of rugs, which celebrate visual imperfections.

The Wabisabi rug – designed by Nanimarquina founder Nani Marquina – shares the philosophy’s key view of accepting transience and irregularities.

Wabisabi rugs by Nanimarquina
The Wabisabi rugs are inspired by the Japanese philosophy of embracing imperfection

To create a rug that encapsulated this way of thinking, the designer instructed the company’s artisans to adjust the warp and weft as they worked, to create a wavy pattern with subtle irregularities.

Two contrasting colours were used together to further emphasise the differences within the weave.

Wabisabi rugs by Nanimarquina
Two contrasting colours highlight the changes in weaving

“We assert that true beauty lies not in perfection but in embracing imperfection,” said Nanimarquina. “Making mistakes is a pathway to the learning process and adds value to the journey.”

Wabisabi rugs are handcrafted through the handloom dhurrie technique using 100 per cent New Zealand wool, and are available in a range of colour combinations.


Product details:

Product: Wabisabi
Brand: Nanimarquina
Contact: info@nanimarquina.com

Material: New Zealand wool

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This week a modernist home was demolished by actor Chris Pratt

Modernist house demolished by Chris Pratt

This week on Dezeen, conservation group Docomomo responded to news that actor Chris Pratt had demolished a modernist house in LA designed by architect Craig Ellwood.

In response to the demolition, Docomomo US executive director Liz Waytkus told Dezeen that unprotected modernist houses in the US are at risk of demolition as the land they sit on often holds greater value than the building’s architectural heritage.

“The problem is systemic,” she told Dezeen. “Older mid-century homes are smaller and underbuilt for their plots of land.”

“The land has become more valuable than the house, and even if people understand the value of such a home, location and land value often trump architectural significance.”

View of Junya Ishigami's furniture for Maniera
Numerous architects displayed furniture at Milan design week

We continued our coverage of Milan design week, rounding up architect-designed furniture from the year’s biggest design event, including pieces by Zaha Hadid Design, Heatherwick Studio and Foster + Partners.

Another trend spotted at the design week was mono-material metal furniture, with designers creating striking pieces from aluminium and stainless steel.

Watches designed by Pritzker Architecture Prize winners
We rounded up six watches designed by Pritzker Architecture Prize winners

We also rounded up a selection of recently released watches designed by Pritzker Architecture Prize-winning architects.

It included a snake-like watch designed by Japanese architect Tadao Ando and timepieces informed by swimming pools, clocktowers and museums.

Tesla Cybertruck recalled
Tesla recalled the Cybertruck

In other design news, car brand Tesla recalled almost all of its Cybertrucks after reports of faulty pedals causing unwanted acceleration.

“It held the accelerator down 100 per cent at full throttle,” one driver describes in a video that seems to demonstrate the issue.

350 Park
Foster + Partners is designing a supertall skyscraper on Park Avenue

In skyscraper news, Foster + Partners unveiled its design for a tiered, 62-storey-tall, supertall skyscraper on Park Avenue in New York.

Meanwhile, in Toronto, architecture studio Rafael Viñoly Architects revealed four skyscrapers and a series of public spaces in the city, which will be the studio’s first built project in Canada.

Bury Gate Farm by Sandy Rendel Architects
A house with concrete columns was one of this week’s most-read projects

Popular projects this week included a house fronted with concrete columns by Sandy Rendel Architects, a skinny house in Japan and a barn-like holiday home in Suffolk.

Our latest lookbooks featured interiors with colourful window frames and kitchens with striking material palettes of contrasting colours and textures.

This week on Dezeen

This week on Dezeen is our regular roundup of the week’s top news stories. Subscribe to our newsletters to be sure you don’t miss anything.

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